Eagle-eyed blogreaders will have noticed a reference to Katherine of Aragon the other day, and might have wondered where that came from. The answer is, I’ve been reading The Constant Princess by Philippa Gregory.
I’m not a huge fan of historical fiction and I must say I was put off the so-called “quality” end of the genre by Sharon Penman who had the brass nerve to sit in Middleham Castle writing her most famous work, The Sunne in Splendour (I have been shown the rock she sat upon) and then misrepresent the castle in a wildly inaccurate way. You’re going to ask me what she got wrong. I can’t remember and the only way I can find out is to reread the book, which I currently don’t feel like doing (can you tell?)
I don’t require historical accuracy in fiction, but I do if the author claims it is brilliantly researched and a close representation of the known facts. I enjoyed TSIS when I first read it about 20-25 years ago, but when I saw Middleham for myself about ten years later, and was shown the aforesaid rock, and then reread TSIS, I took against the acclaimed Penman in a big way. I could also point out that her representation of Simon de Montfort in Here be Dragons as a man who liked reading so always took his books with him on campaign was also laughable given that “books” were more than likely A2- or even A1-size in the thirteenth century and you’d be hard pressed keeping your page with the thumb of one hand while controlling your war charger with the other hand. Admittedly she didn’t quite claim he read them in quiet moments on the battlefield but even so. Anyway, that gave a snigger at the time and I haven’t reread HBD more than a couple of times, which in itself says much about how little I like the book. If I like a book I will read it at least once every three years, probably more often.
[Edited: of course it wasn’t Here be Dragons, it was Falls the Shadow, sorry about that]
Back to Gregory, I’ve read a few of hers and I enjoy them well enough (thinking about it I haven’t reread any though). She makes no claim that she is retelling history or indeed that she is filling gaps in the known facts in a truthful and fitting manner. She takes some groups of characters from history and writes stories about them, couching them in a setting that is broadly accurate. If you want to run off to Tudor England for a while, Philippa Gregory takes you there, provided you want to watch “Friends” during your visit and not the news bulletins on the royals and the politicians of the time.
But The Constant Princess left me feeling peeved. I enjoyed it right up to the end, when it fell very flat. She takes Katherine’s story (as she is writing it) through the marriage to Arthur, his death, the years waiting to marry Henry, that marriage, the pregnancy, birth and death of their son Henry, right up to the Battle of Flodden Field, then suddenly skips 16 years to the Papal Legation in 1529, and then stops right there. Just as it’s all about to start.
It might be my own fault. I had the great privilege to study Henry VIII 13 years ago under his main biographer of the 20th century, Jack Scarisbrick. I consider myself honoured and fortunate to have had that chance, and I must say he was fantastic to learn under although very exacting and demanding. And he made me realise who Katherine of Aragon was. (Gregory does this bit OK, by the way, which was why I was enjoying the book so much.) It sounds stupid to say it like this, but she was the Infanta Katherine of Aragon, daughter of Ferdinand of Aragon and Isabella of Castile, the greatest monarchs Spain has ever had, certainly the most powerful monarchs in Europe of their time, and Katherine grew up with them at the height of their power. She was aunt to Charles V, Holy Roman Emperor, another magnate. She was a woman of power in her own right, long before she married Arthur, let alone Henry (which is why Henry VII wanted her for Arthur) and Henry’s big mistake in the whole divorce/annulment fiasco was that he assumed Katherine would just do as she was told, and she wouldn’t and didn’t. Even the Pope told Henry to stop making such a public fuss because he was not going to get agreement from her or anyone else about the status of the marriage – the Pope’s suggestion being to force her into a convent and then quietly request an annulment after that. My reading is that Henry could not persuade Katherine to do that, or didn’t know how to set about trying. Wolsey had a go but even he gave up. Besides Henry wanted everyone to acknowledge how right he was, which the convent method wouldn’t have satisfied.
I guess I wanted the book to talk about the divorce at least a little bit. We got one page.
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